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When Diana first saw the young shepherd Endymion sleeping in the shelter of a cave, she instantly fell in love with him. She remembered her sister Eos' bad luck with mortal's and eternal life, and had no wish to be left with a grasshopper. ... Each night when the bright rays of the moon fell on his upturned face he dreamed this wonderful dream, but he was always sleeping when the goddess came, and never saw her in her full and dazzling beauty. [3] Diana and Endymion is a painting by Francesco Solimena undertaken from 1705 until 1710. [1], In Greek mythology, the moon goddess, Selene, drives her moon chariot across the heavens, although she was also regarded as the personification of the Moon itself. Diana and Endymion 1753-56 Oil on canvas, 95 x 137 cm National Gallery of Art, Washington: The subject, Diana and Endymion, was a popular one. In Roman mythology, Diana was the goddess of the moon, hunting and chastity, who shares many of the attributes of the Greek goddess Selene, including her love of the beautiful mortal Endymion. The painting depicts the Roman goddess Diana, one of the twelve Gods and Goddesses of Olympus, falling in love with Endymion, a symbol of timeless beauty. His goal was to find a ceramic body for decorating the fashionable neo-classical interiors of the period. [1], The painter Francesco Solimena came from an artistic family, his father being the poet and painter Angelo Solimena. Solimena chose to paint Diana's unrequited love towards the young and handsome shepherd; the painting is an allegory of Platonic love. This plaque is one of several Wedgwood wall plaques in the Fantastique exhibition which opens on October 27. [1] The painting was part of the artist's rivalry with the painter Paolo de Matteis, triggered by the artist's visit to Rome in 1701. That night Selene went to Zeus and asked if Endymion could be granted eternal youth and eternal life. The scene was copied from the Roman Sarcophagus of Gerontia now in the Capitoline Museum. Producing large flat plaques in Jasper ware was a technical challenge which Wedgwood mastered for framed wall hangings and furniture embellishments. Wedgwood blue and white Jasper ware is the most iconic style of British ceramic art at WMODA. Short cartoon for EPQ// based on the myth of Diana and Endymion// music: what child is this by Lindsey Sterling// no copyright intended. Endymion used to go to sleep on the mountaintop where he guarded his sheep. The painting is hosted at the National Museums Liverpool, that purchased the painting in 1966, and holds it as one of the museums highlights. The story: Endymion, sent to sleep for ever by the command of Jupiter, in return for being granted perpetual youth, was visited nightly by the goddess Diana. The story tells of Diana's love for the beautiful youth Endymion. Cupid points an arrow towards her, ready to shoot. According to the legend Diana used to come and kiss Endymion when he was asleep on the top of the mountain each night. [1] The story tells of Diana's love for the beautiful youth Endymion. The late 7th-century – early 6th-century BC poet Sappho had apparently already mentioned Selene and Endymion's history. In the earlier Greek myth of Selene, the goddess entreated Zeus to grant the shepherd eternal sleep so that he would remain beautiful forever and never leave her. Solimena chose to paint Diana's unrequited love towards the young and handsome shepherd; the painting is an allegory of Platonic love. Such tales surely served as warnings to priestesses and other devotees of virgin goddesses. [4][nb 1] Through her love, Endymion was granted eternal youth and timeless beauty.[5]. The cold heart of the virgin goddess was warmed by his surpassing beauty, and she came down to him, kissed him, and watched over him while he slept. Quiet as moonlight she entered the … The love story of Endymion and Diana was popular on Roman sarcophagi because it was a metaphor for the separation of loved ones at death and their appearance in dreams. In Roman mythology, Diana has the attributes of Selene and she was mentioned as the goddess who falls in love with Endymion. The most popular pale blue color has become known as Wedgwood blue. The cold heart of the virgin goddess was warmed by his surpassing beauty, and she came down to him, kissed him, and watched over him while he slept. WMODA is a non-profit museum founded in 2014 by Arthur Wiener and his family to inspire appreciation and understanding of ceramics and glass as art forms. The days now seemed long and dreary to Endymion, and he waited anxiously for the night that he might see again the glorious vision. She is depicted here as a huntress wearing a short robe, arriving from the sky, seated on clouds, in a chariot drawn by horses, while Endymion's body is depicted naked. His artists worked from engravings and also from the actual Portland Vase which Josiah borrowed from Sir William and spent four years copying. Endymion was a beautiful youth who fed his flock on Mount Latmos. [1] The painting was part of the artist's rivalry with the painter Paolo de Matteis, triggered by the artist's visit to Rome in 1701. The painting is hosted at the National Museums Liverpool, that purchased the painting in 1966, and holds it as one of the museums highlights. [4][nb 1] Through her love, Endymion was granted eternal youth and timeless beauty.[5]. Jasper was the result of years of experimentation by Josiah Wedgwood in the early 1770s. Zeus granted Selene's wish, and Endymion slept on for eternity, smiling in … The painting depicts the Roman goddess Diana, one of the twelve Gods and Goddesses of Olympus, falling in love with Endymion, a symbol of timeless beauty. The matt stoneware body was tinted with metallic oxides in subtle shades to harmonize with the décor of Adam, Wyatt and other leading 18th century architects. Relief figure decorations, typically in white, were molded and applied in a technique known as sprigging. Figure 20, Detail A: Selene approaching Endymion. Alternatively, Selene so loved how Endymion looked when he was asleep in the cave on Mount Latmus, near Miletusin Caria, that she entreated Zeus that he might remain that way. Both goddesses were regarded as lunar goddesses, except for the fact that in Roman mythology, Diana became a virgin goddess.[1]. Diana and Endymion is a painting by Francesco Solimena undertaken from 1705 until 1710. One calm, clear night, Diana, the Moon, looked down and saw him sleeping. Endymion, half wakened by her touch, caught a fleeting vision of the fair goddess as she hastened to her chariot. Diana and Endymion is a painting by Francesco Solimena undertaken from 1705 until 1710. This early masterpiece by Fragonard demonstrates his brilliant command - even at the beginning of his career - of the Rococo pictorial idiom that was in ascendancy in the 1750s and that he absorbed through his close relationship with François Boucher. According to some versions of the story, this serves as a punishment to the goddess for her unchaste thoughts, having dared even to consider abandoning her perpetual virginity. Diana has her gaze fixed on the sleeping youth's body, with a mixture of desire and despair. Endymion, half wakened by her touch, caught a fleeting vision of the fair goddess as she hastened to her chariot. According to the myth, Diana’s touch drew Endymion from his slumber and, incredulous at her beauty, he attributed it to a dream. Diana was falling in love with his beauty, but her love remained unfulfilled, because Diana was a chaste goddess. Endymion was a beautiful youth who fed his flock on Mount Latmos. Diana and Endymion is part of the last period of Solimena's works when he mainly concentrated on mythological subjects; he developed this interest in mythological stories which was inspired by the Arcadian movement embracing classical culture. Diana's light touch partly drew Endymion from his slumber and he caught a brief glance of her. The subject, Diana and Endymion, was a popular one. Diana has her gaze fixed on the sleeping youth's body, with a mixture of desire and despair. Cardinal Vincenzo Orsini, who later became Pope Benedict XIII, was the person who discovered Francesco Solimena's talent and arranged for him to be an artist. In this depiction Endymion is a shepherd. The late 7th-century – early 6th-century BC poet Sappho had apparently already mentioned Selene and Endymion's history. Endymion used to go to sleep on the mountaintop where he guarded his sheep. Diana's light touch partly drew Endymion from his slumber and he caught a brief glance of her. Incredulous at her beauty, he attributed it to a dream and began to prefer his dreamlike state over mundane daily routines yet he was never awake when she was present.

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