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Towards the end of the caribou scenes, he cuts the ground from under us by noting that the herd we are watching is 70% smaller than it was 20 years ago.

This is Netflix’s first foray into nature programming – Our Planet, an eight-part, multimillion-dollar series, filmed by more than 600 crew members over four years in 50 countries and narrated by our very own David Attenborough. Whatever I’ve been doing, he has been there, saying the same thing. Then it catches in your throat, as you watch an orchid bee, in search of perfume to attract a mate, fall into a flower’s buckety petal and squeeze out of a tiny tunnel that deposits two sacks of pollen on its back; just as God, or a million years of evolutionary adjustments, intended. To leave us on as much of a high as possible, in the final minutes he offers us a ray of hope. The Average Tomatometer is the sum of all season scores divided by the number of seasons with a Tomatometer.

Just as God, or a million years of evolutionary adjustments, intended ... an orchid bee. t looks as spectacular as you would expect. Attenborough is due to front a film explicitly about climate change as part of it. Two of the numbers rise rapidly, one falls just as fast. Hamstrung by the idea that any mention of eco-problems would make audiences switch off, and the broadcasters’ preferred strategy of hoping that sharing incredible sights around the world would inspire people to save them, nature programming has been taken to task for avoiding the issue, and not using their power to raise awareness of the dangers facing us all. Contextless stories don’t inspire us to change, after all; they just allow us to continue in our comfortable, fatal state of denial. Even at 94, he endures, showing us the glory of the Earth and the error of our ways. This is my witness statement.” There is a tremendously moving sense of finality about Attenborough’s terrifying new … The naturalist’s latest Netflix release looks back over his near 70-year broadcasting career, Find your bookmarks in your Independent Premium section, under my profile. By signing up, you agree to receiving newsletters from Rotten Tomatoes. On every scale, it is amazing. “In one human lifetime,” says Attenborough in the opening minutes, “wildlife populations have fallen by an average of 60%. Please continue to respect all commenters and create constructive debates. Although Attenborough concedes he was naive to think he was ever exploring unspoilt paradise, he still makes the point that his career has coincided with the mass destruction of the wilderness.

Lesser flamingos building mud mounds for their eggs and hatching thousands of chicks in unison.

His recent films have had a familiar rhythm: eye-popping flora, fauna and scenery for most of the film, and then a depressing environmental message in the final few minutes.

Vast aerial sweeps across the Peruvian coast as millions of cormorants and boobies gather to feast on anchovies and breed, or across frozen tundra to watch herds of caribou head for the shelter of the forest in temperatures 40 degrees below freezing take your breath away.

I found it unexpectedly moving, not only for the loss on the Earth, but for the amount of my own life I can measure in Attenborough documentaries. and the Terms and Policies, Are you sure you want to delete this comment? Netflix’s breathtaking, multimillion-dollar nature show not only poached David Attenborough – it stole the BBC’s thunder, Last modified on Fri 5 Apr 2019 14.05 BST. If you watch one movie in the whole of 2020, make sure it's 'David Attenborough: A Life On Our Planet', the most important film of the year .

The crime is the destruction of Earth’s habitats, for which he has had a ringside seat. Older viewers might feel it even more acutely. The story begins happily, in Attenborough’s childhood and early broadcasts, where the world seemed like a paradise, and then quickly worsens. You may later unsubscribe. Produced largely by the team behind the BBC’s Planet Earth and Blue Planet, it looks very much like what they might have done next for Auntie if the Natural History Unit had given them their druthers (and Netflix’s budget). It looks as spectacular as you would expect. Necessarily, there is a ring of finality to A Life on Our Planet, but then again we’ve wondered whether each new Attenborough might be the last for about 20 years. Reforestation schemes in Costa Rica and solar power in Morocco prove the power of the right incentives. You can also choose to be emailed when someone replies to your comment.

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