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My husband told me, 'It's Elia Kazan, Brando's there, you'll be fine.'" Edie möchte gemeinsam mit Pater Berry die Schuldigen am Tode von Joey zur Strecke bringen. Auch wies der Miller-Biograf Martin Gottfried auf den Umstand hin, dass Schulberg sich zwar bereits für seinen ersten Drehbuchentwurf auf Johnsons Reportage als Grundlage berief, aber Johnson erst 1953 schriftlich von seinem Agenten über den Verkauf der Filmrechte seines Buchs informiert wurde. [17] Their first child, Darrell, was born two days after she won an Academy Award for On the Waterfront. [19], This article is about the actress and producer. All rights reserved. Saint received some of her best reviews for her performance in Loving (1970), co-starring as the wife of George Segal. In Praise Of. [6] Ob Miller und Schulberg ihre Drehbücher unabhängig und ohne Wissen vom Projekt des anderen schrieben oder nicht, wurde später unterschiedlich dargestellt. [11], She appeared alongside Bob Hope in That Certain Feeling (1956) for which she received $50,000. | Indeed, in an age of digital special effects and endless image-manipulation, it's wonderful to see faces, characters, settings, and emotions as authentic and true as those in On the Waterfront. Thérèse (1986) • She appeared in a number of made-for-television films; she played the mother of Cybill Shepherd on the television series Moonlighting, which lasted three years. I wanted her dressed like a kept woman—smart, simple, subtle and quiet. My first scene was up on the rooftop with the pigeons" opposite Brando. Metropolis (1927) • I could just see Marlon and hear him right now. Aber die darstellerischen Leistungen und hervorstechendsten Dialogpassagen besitzen eine Wucht, die an nichts eingebüßt hat.“[30] Jonathan Rosenbaum vom Chicago Reader kritisierte den Film als „stellenweise prätentiös“ und „selbstherrlich“ angesichts Kazans und Schulbergs HUAC-Mitarbeit, doch seien Brando, Eva Marie Saint, Malden und Cobb „so gut wie eh und je“. Andrej Rubljow (1969) • Terry befindet sich durch die Beziehung zu Edie plötzlich zwischen den Fronten. … Marlon was one of the finest actors we ever had.”. Falling for Joey’s sister Edie (Saint), Terry must decide whether the trust of his high-up brother (Rod Steiger) and the union boss (Cobb), is worth the lives of the men he sees taken advantage of every day. Saint and Osborne participated in meet-and-greet sessions as well as a pre-movie question and answer session. [citation needed]. In a film revered for its male roles, including one of the most lauded in the Hollywood history, it is Saint’s turn as Edie Doyle that really stands out when viewed today. Er fordert dessen Bruder Charley auf, Terry zum Einlenken zu bewegen oder ihn zu töten. ", Kazan saw Saint on the stage and cast her in On the Waterfront. Just kick up your heels and have fun.' Indeed, seeing On the Waterfront on the Chinese Theatre's gigantic screen during the TCM Classic Film Festival reminded us again of why simple human truth in storytelling -- particularly as conveyed by expressive faces in close-up -- is always so compelling. It is undermined, however, by both the religious symbolism […] and the embarrassing special pleading on behalf of informers […] Politics apart, though, it’s pretty electrifying.“ –, House Committee on Un-American Activities, Internationale Filmfestspiele von Venedig, Freiwillige Selbstkontrolle der Filmwirtschaft, Vorlage:FSK/Wartung/typ nicht gesetzt und Par. Budd Schulberg schrieb das Drehbuch nach einer 1948 publizierten Reportageserie von Malcolm Johnson. It's drab in that tenement house. It was truly a delight to hear the lovely Ms. Saint talk in person about working with such brilliant talents as Marlon Brando, Elia Kazan, and Karl Malden -- and the full interview featuring Ms. Saint's discussion with Robert Osborne, followed by screenings of three of her films, including On the Waterfront, will air March 31, 2014 on TCM. I think he was my favorite." In his review for The New York Times, film critic A. H. Weiler wrote, "In casting Eva Marie Saint—a newcomer to movies from TV and Broadway—Mr. Schließlich sagte Brando, vom Produzenten Spiegel überredet, doch zu. Your report has been successfully submitted. Elia Kazan About her apprehension before starting on “Waterfront”: “I cried as I left the house. Baby Doll – Begehre nicht des anderen Weib | In the late nineteenth and early twentieth century, Stanislavski and his Moscow Art Theatre worked to portray greater human truth on stage -- what he called "spiritual realism" -- most famously in their productions of Chekhov's plays. She appeared with Elizabeth Taylor and Richard Burton in the melodrama The Sandpiper for Vincente Minnelli, and with James Garner in the World War II thriller 36 Hours (1965), directed by George Seaton. '", she also recalled it in 2010.[11]. © 1969 Columbia Pictures Corporation, all rights reserved. Die Stunde des Siegers (1981) • Upon the death of Olivia de Havilland on July 26, 2020, she became the oldest living and earliest surviving Academy Award winner and one of the last surviving stars from the Golden Age of Hollywood cinema. She received an Emmy nomination for the 1977 miniseries How The West Was Won and a 1978 Emmy nomination for Taxi!!!. [Brando] came in and started teasing me. Jason Apuzzo is a Folio Eddie Award-winning writer and filmmaker. Saint has appeared in a number of television specials and documentaries, particularly since 2000. Thank you for helping us improve PBS Video. Saint described her excitement at winning the Oscar, noting that she said in her acceptance speech, "Thank you, I'm so excited, I think I'm going to have my baby!" I don't know what he told Marlon; you'll have to ask him—good luck! We told Kazan how it happened and he loved it, and so he said, ‘Keep it in.’ “. Joel W. Finler: Sarah Casey Benyahia, Freddie Gaffney, John White: „Under Elia Kazan’s direction, Marlon Brando puts on a spectacular show, giving a fascinating, multi-faceted performance […] A part of „Waterfront“ looks designed for grandstand cheers. North by Northwest became a box-office hit and an influence on spy films for decades. (The interview was recorded and turned into a TCM special, “Eva Marie Saint: Live From the TCM Classic Film Festival,” first aired in March 2014. One sees this realist tradition achieve its cinematic pinnacle in On the Waterfront -- and on the big screen (as opposed to on a TV or tablet), the movie's depiction of elemental human conflict is transformed into almost mythic proportions, like a tragedy from the Theatre of Dionysus during Periclean Athens. We had the pleasure of attending that event, as well as the later Chinese Theatre screening of On the Waterfront at which Saint appeared again with host Ben Mankiewicz. Jenseits von Eden | Das Lexikon des internationalen Films resumierte: „Der mit Oscars überschüttete dramatische Film […] machte Schule im Kino des Realismus. The movie was about a commercial artist's relationship with his wife and other women; it was critically acclaimed but did not have wide viewership. [4][5], Am 5. Certainly the loveliest face in On the Waterfront belongs to Eva Marie Saint, who discussed her experience making the film during a wide-ranging conversation with Robert Osborne at the TCM Classic Film Festival in 2013 (the festival returns again in Hollywood this April 10th-13th). She was inducted into the high school's hall of fame in 2006. We can remove the first video in the list to add this one. My husband told me, ‘It’s Elia Kazan, Brando’s there, you’ll be fine.’ I was so nervous the first day. I didn't know what to expect. Saint joined an all-star cast in the comedic satire, The Russians Are Coming, the Russians Are Coming, directed by Norman Jewison, and the international racing drama, Grand Prix (1966) directed by Frankenheimer and presented in Cinerama. Her film career also includes roles in Raintree County (1957), Exodus (1960), The Russians Are Coming, the Russians Are Coming (1965), Grand Prix (1966), Nothing in Common (1986), Because of Winn-Dixie (2005), Superman Returns (2006), and Winter's Tale (2014). 1989 wurde Die Faust im Nacken als „kulturell, historisch oder ästhetisch bedeutsam“ in das National Film Registry der Library of Congress der Vereinigten Staaten aufgenommen. Roger Ebert notierte 1999: „Die Geschichte wirkt heute nicht mehr so frisch, der Kampf gegen Korruption und die Liebesgeschichte entsprechen althergebrachten Filmkonventionen. Monsieur Vincent (1947) • Filmed documentary-style in bitter cold on location at the Hoboken docks, On the Waterfront exhibits the kind of earthy realism that many studio-bound productions of the 1950s avoided. Rom, offene Stadt (1945) • Friendlys Macht ist gebrochen. ", Another pivotal early experience for Saint was being cast in a stage production of The Trip to Bountiful with Lillian Gish.

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