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Steve Harley & Cockney Rebel Any acts you tried hard to sign and failed that you regret? It’s clear the American company didn’t do as good a job as it could have done, and we had to let them leave. It produced high-quality rock albums, some produced by Ellis himself in the early days. Copyright © 1995-2020 eBay Inc. All Rights Reserved. Well yes, of course. There are 1 items available. Excludes: Angola, Cameroon, Cambodia, Cayman Islands, Djibouti, French Polynesia, Honduras, Libya, Mongolia, Ecuador, El Salvador, Suriname, Guyana, Panama, Mauritius, Somalia, Brunei Darussalam, Chad, Madagascar, New Caledonia, Western Samoa, Bahamas, Bermuda, Iran, Jamaica, Saint Kitts-Nevis, Saint Lucia, Trinidad and Tobago, Western Sahara, Wallis and Futuna, Nepal, Bolivia, Mali, Fiji, Gambia, Kyrgyzstan, Laos, Papua New Guinea, Congo, Republic of the, Seychelles, Sudan, Guadeloupe, Uganda, Vanuatu, Venezuela, Burma, Antigua and Barbuda, Burundi, Cuba, Republic of, Congo, Democratic Republic of the, Kiribati, Reunion, Yemen, Aruba, Barbados, Belize, Ghana, Grenada, Haiti, Liberia, Nicaragua, Sierra Leone, Central African Republic, Comoros, Martinique, Tuvalu, Dominica, Lebanon, Niger. Chrysalis Records is a British record label that was created in 1968. Ultravox Carter The Unstoppable Sex Machine And then I’d say, ‘Why aren’t we playing this record?’ And they’d say: ‘Because it doesn’t test well.’. For Licensing / Synchronisation enquiries - licensing[@]blueraincoatmusic[dot]com. Runrig Suzi Quatro I enjoyed the TV business, but the closest to my heart is the music by far. I had shareholders that bought the shares and manipulated the situation to force the sale of the company; they knew they could double or triple their money by buying cheap and forcing a disposal. Chrysalis is toen feitelijk om Jethro Tull heen gebouwd, en heeft ook andere bands onder contract genomen. In my entire time in the business, it’s very rare to think of any artist who has really benefitted from switching labels – especially from an independent to a major. UFO I think we kept all of our artists – but we had to stay very close to them and be very supportive of them. Please enter 5 or 9 numbers for the ZIP Code. Any international shipping and import charges are paid in part to Pitney Bowes Inc. International shipping and import charges paid to Pitney Bowes Inc. International shipping paid to Pitney Bowes Inc. Any international shipping is paid in part to Pitney Bowes Inc. SICK PUPPIES- DRESSED UP AS LIFE PROMO STICKER DECAL CL, ~ Canadian Band Tea Party Original 1990s Chrysalis Photo Alt Rock Jeff Martin, Sheet Music ANNIE Musical - N.Y.C. It was stupid. He started off as a stunt double for Robert Morley – a big English actor – before becoming a road manager, employed by people like Don Arden, and eventually managing Led Zeppelin. What are the high points and low points of your career? My mentors were people who really got on with artists – who could communicate with them but also be successful. It still remains the same! Led by industry heavyweights Jeremy Lascelles and Robin Millar, Blue Raincoat Music aims to bring back the true spirit of independent music to the business, revitalising Chrysalis Record’s impressive catalogue, whilst enhancing it for the digital age and offering a new home for established artists. It always made £25,000 for the charity. Chrysalis Records’ first signing – Jethro Tull – was a hit, but the label would go on to earn a sterling A&R reputation with a roster that included the likes of Blondie, Procol Harum, Ten Years After, Billy Idol, Huey Lewis, Sinead O’Connor and Spandau Ballet. I do think Paul Simon is probably the most talented person who has ever existed in our business. Terry Ellis – Founder & CEO. The Specials and Spandau Ballet and Generation X were all very competitive deals, and we managed to get them all – beating the majors. We tried everything possible that would satisfy the shareholders to keep the company alive. In the States, you had Warner-Reprise, which was started by Frank Sinatra, with Mo Ostin running it. You hired Daniel Glass at Chrysalis, right? Yes. Really, the original independent labels would have been Island and Sonnet in Sweden, plus you had Festival in Australia. I don’t think I’m a great businessman, but I’m a very good organizer. Having said that, we’d seen multiples [of the company’s value] drop from the high teens to single figures as downloading took over from CD. For example, I recently took over running the Nordoff Robbins charity race day after Willy Robertson. I don’t know Doug Morris so I can’t really comment on him. Our plan is to run it as as an independent, revitalising the catalogue for the digital age. You don’t need me to tell you the kind of corporation Kinney was if I told you it was run by a lot of Italians and owned car-parking and funeral operations in New York City. The Spandau Ballet album with True and Gold on it sold almost as many copies in Canada as it did in America – around 450,000. Come on! A company called Kinney bought it, and also bought Atlantic and Elektra. Een van die onderdelen was Chrysalis. They changed the ‘Kinney’ name in music to WEA [Warner-Elektra-Atlantic]. For additional information, see the Global Shipping Program, This amount includes applicable customs duties, taxes, brokerage and other fees. AlumNews chats to Terry Ellis As co-founder of Chrysalis Records, a former record producer and manager, Terry Ellis's contribution to music on both sides of the Atlantic – and around the world – is huge. Is it true that money is not your motivation? So the music industry was a bit of a dirty place back then? But what’s that old Chinese proverb? Nothing gets delivered to you. As an independent, everything has to be created yourself, and it’s all your money. The way to be successful is to get up in the morning and do what you do without thinking you’re getting paid for it. Ian Hunter But I do think that there are people in the music business that are a little like the striker who’s struggling to score goals but keeps wanting to play for the team. Please allow additional time if international delivery is subject to customs processing. You know, you can regret a lot of things – and there are a lot of things I would have done different in retrospect. But that was because Alvin Lee wasn’t very keen on us signing them. Please enter a number less than or equal to 1. I wasn’t that keen on the radio business – it’s not creative. Please note, many Chrysalis issues also carried an EMI logo. It was a gangster business until the late sixties and early seventies. Shop for Vinyl, CDs and more from Terry Ellis at the Discogs Marketplace. You couldn’t just open a club in the middle of London and expect to do well without getting a visit from a certain group of people. Chris and Terry were friends in their early 20’s that previously started a talent agency called Ellis Wright.This agency concentrated on managing bands and booking them at local colleges. Running a company is lonely: ‘I’m going to go bankrupt, I’m shit, I’m going to lose it all.’ Did you have those feelings and how did you deal with them? I think we did a fantastic job on them, but we didn’t in America. I was managing Ten Years After, Blodwyn Pig and Procol Harum (pictured). But you’ve always got to look forward, not backwards. Before you set up the record company, who were your clients? In reaction, the majors started their own ‘indie’ imprints; Decca started Deram and EMI relaunched the old Regal Zonophone label – they were pretending they had an independent vibe, but it just wasn’t the same. It started as the Ellis-Wright Agency. You’ve done records, publishing, TV, radio…. Blodwyn Pig In 2010, Chrysalis’s publishing company went too: BMG swooped for Chrysalis Music in a deal believed to be worth $168m, bringing Wright inside the Bertelsmann subsidiary in a hands-off role.

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